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Ircam, Paris | 2019
My creative work centers on developing immersive auditory experiences that blend acoustic instruments, electronic elements, and spatial audio. I draw inspiration from a variety of disciplines, including philosophy, mythology, and environmental science.
​
I am particularly interested in exploring the relationship between sound and the environment. I draw inspiration from underwater soundscapes, the acoustic signatures of extreme events like wildfires, earthquakes, and storms, and the creation of resonant bodies by transmitting sound through objects using transducers. ​
worklist
acousmatic
Morphés I (2023) | 23'
a 20-channel audio installation for pre-recorded flutes and electronics
Premiered at the Spatialization Lab of Qualcomm Institute | La Jolla, CA, USA | February 2023
Built by PrismaSonus, a collaborative endeavor with flutist Sasha Ishov
~ video
Fronteras Invisibles (2021)
an audio installation
Reflections on Quadrat (2020) | 6'
an audio installation
Inspired by and made during the 2020 lockdown
~ video
Pythmenas (2019) | 17'
a 3D audio installation
Presented at the Spatialization Lab of Qualcomm Institute | La Jolla, CA, USA | May 2019
~ audio
...dirrumpo... (2013) | 4'
for tape
solo
Morphés II (2023) | 30'
for flutes and electronics diffused through a 32.2 loudspeaker array
Premiered at the Experimental Theatre of University of California, San Diego | La Jolla, CA, USA | May 2023
Built by PrismaSonus, a collaborative endeavor with flutist Alexander Ishov
minute | from within (2019-20) | 13'
for amplified objects and electronics
Premiered by Rebecca Lloyd-Jones at the University of California, San Diego | La Jolla, CA, USA | January 2020
~ score • ~ video
Grit (2019) | 15'
for piano, fixed media, live electronics, and sound diffusion
Premiered by Dimitris Paganos Koukakis at the University of California, San Diego | La Jolla, CA, USA | November 2019 ~ event
~ score • ~ video
Slit (2019) | 9'
for double bass and fixed media
Premiered by Kathryn Schulmeister at the Vertixe Sonora's Coraxe | Mallorca, Spain | November 2019
~ video excerpt
...yet so terribly afraid of its endlessness (2018) | 9'
for tenor sax, electronics, and spatialization
Premiered by Michele Bianchini at the Zagreb World Saxophone Congress 2018 | Zagreb, Croatia | July 2018 ~ program
Other performances at the Moscow Electronic Music Center, Diffrazioni Multimedia Festival (Michele Bianchini)
and SEAMUS Conference 2019 (Justin Massey)
~ audio
...aspettando... (2014) | 11'
for amplified alto saxophone and a tenor mouthpiece
Premiered by Michele Bianchini at the Eastman School of Music | Rochester, NY, USA | April 2014
~ score • ~ score follower video
chamber music (2 - 8 players)
​STATO ESOTERICO II (2024) | 14'
for baritone saxophone, percussion, double bass, and electronics
Premiere by Ensemble Suono Giallo at Goethe-Institut, production by ArteScienza Centro Ricerche Musicali | Rome, Italy | July 2024
~ score​ • ~ video​ • ~ event
STATO ESOTERICO (2023) | 13'
for baritone saxophone, accordion, piano, double bass, and electronics
Premiere by GAMO Ensemble in co-production with SpazioMusica | Florence, Italy | September 2023
~ event
imma (2022) | 13'
for bass flute, bass clarinet, baritone saxophone, percussion, piano, viola, cello, double bass, and electronics
Premiere by ensemble Schallfeld at Wiener Konzerthaus | Vienna, Austria | April 2022
~ score • ~ event
now our world does descend (2018) | 5'
for bass flute, trumpet in Bb, viola
Written for ensemble Intercontemporain as part of the ManiFeste Academy at IRCAM | Paris, France | June 2018
~ score
nycto- (2017) | 3'
for five double basses
Premiered by the UCSD Bass Ensemble at the University of California, San Diego | La Jolla, CA, USA | March 2017 ~ program
~ score
Pictorial Fields: Traces in Deep (2017) | 9'
for alto flute, tenor saxophone, percussion, piano
Premiered by Proxima Centauri at the Mixtur Festival 2017 | Barcelona, Spain | March 2017 ~ facebook event
Pictorial Fields: Traces in 1A (2016) | 7'
for bass clarinet in Bb, violin, cello, and live electronics
Premiered by the [Switch~ Ensemble] at the VIPA (Valencia International Performance Academy) 2016 | Valencia, Spain | July 2016 ~ program
~ score​ • ~ audio
Pictorial Fields: Traces in 1A.ii (2016) | 7'
version for violin, cello, and live electronics
Premiered by the Quartetto Mitja at the MA/IN Matera Intermedia Festival 2016 | Matera, Italy | December 2016
~ video
doomed to its paralysed eternity (2016) | 9'
for alto flute, tenor saxophone, percussion, piano
Premiered by ensemble Suono Giallo at the Festival delle Nazioni 2016 | Città di Castello, Italy | August 2016 ~ facebook event
~ score • ~ audio
[d]ifférance III: aporetics (2015) | 9'
for flute, clarinet, percussion, piano, cello, double bass
Premiered by ensemble Callithumpian at the University of California, San Diego | La Jolla, CA, USA | October 2015 ~ event ~ program
Performance by Ensemble Schallfeld at the Konzerthaus Wien as part of the Bridges 2020 Project | Vienna, Austria | April 2020
~ score
[d]ifférance I: aporetics (2015) | 8'
for flute, saxophone, piano
Premiered by Nyky Trio at the Strasbourg Saxophone Congress 2016 | Strasbourg, France | July 2016 ~ event
~ video
asphyxiating thoracic dystrophy (2014) | 9'
for clarinet in A and cello
Premiered by Michiko Okawa and Tyler J. Borden at the University of California, San Diego | La Jolla, CA, USA | 2015 ~ event ~ program
Indiscriminately (2014) | 6'
for soprano, alto saxophone, piano
Premiered by Sophie Burgos, Michele Bianchini, Daniel Pesca at the Lilian Voudouri Library during the Ritsos Project | Athens, Greece | June 2014 ~ event
~ score • ~ audio
Trastorno (2013) | 9'
for flute, clarinet, percussion, violin, cello
Premiered by East Coast Contemporary Ensemble (ECCE) at the Etchings Festival 2013 | Auvillar, France | July 2013
~ score • ~ audio
Tetractys (2013) | 8'
for viola quartet
Premiered by AltosVier Quartet at the Eastman School of Music | Rochester, NY, USA | April 2013
~ score
Le Radeau de la Méduse (2012) | 7'
for string quartet
Premiered by Mivos Quartet at the Shanghai New Music Week 2013 | Shanghai, China | November 2013
~ score • ~ audio • ~ score follower video
Qs & As (2012) | 8'
for flute, clarinet, percussion, piano, violin, cello
Premiered by the Greek Contemporary Music Ensemble at Athens Megaron Concert Hall | Athens, Greece | February 2012 ~ event
Dissomnia (2011) | 9'
for flute, clarinet, piano, violin, cello, double bass
Premiered by the dissonArt ensemble at Thessaloniki Megaron | Thessaloniki, Greece | May 2011 ~ event
Cello Sonatina (2010) | 4'
for cello and piano
Gestalt (2010) | 5'
for violin, cello, piano
Crossroads (2009) | 9'
for two guitars
7/4 pm (2009) | 9'
for clarinet in Bb, violin, cello, piano
Metrikon (2009) | 5'
for three percussionists
~ score
Tote-M (2008) | 6'
for flute and percussion
large ensemble
...stopped mid-motion in the middle... (2015) | 2'
for flute, bass clarinet, horn, trumpet, percussion, piano, accordion, 2 violins
Premiered by the Ionian University Contemporary Music Ensemble at the Ionian Academy Hall | Corfu, Greece | June 2015
ac(u)tus (2013) | 10'
for flute, clarinet, percussion, piano, 2 violins, viola, cello, double bass
Premiered by the OSSIA New Music Ensemble at the Eastman School of Music | Rochester, NY, USA | October 2013
l'esprit de l'escalier (2014) | 15'
for large ensemble
Premiered by Nouvel Ensemble Moderne during FORUM 2014 at the University of Montreal | Montreal, QC, Canada | November 2014 ~ event
~ score • ~ audio excerpt
Crónica de una vuelta (2012) | 9'
for large ensemble
Premiered by the Graduate Composers Sinfonietta at the Eastman School of Music | Rochester, NY, USA | November 2012 ~ archive
orchestra
Golgotha (2011) | 11'
for orchestra [2.2.2.2, 2.2.1, Perc I.II Harp Pno, 16.14.12.12.8]
Premiered by the Eastman School Symphony Orchestra (ESSO) at the Eastman School of Music | Rochester, NY, USA | 2013 ~ newspaper
~ score
orchestra
large
chamber
solo
acousmatic
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